The year is coming to an end and with that comes great responsibility ,so let’s have a look on what to me is the top indie rock album of the year 2021. I am not the one to distribute the awards but let me tell you, “Valentine” by Snail Mail should be ringing some bells. Lindsey Jordan is the vocalist and mastermind behind Snail Mail. She also plays the guitar and shares her emotions through her amazing songwriting skills. The 22 year old recorded and co-produced the album with Brad Cook and her fellow touring band members Alex Bass on the bass, Ray Brown on the drums, on the keyboards Madeline McCormack  and Benjamin Kaunitz on guitar and backing vocals. “Valentine” also names the first track of the album. The song carries an unpredictable crescendo that explodes on an inspired 90’s rock guitar riff full of power, which lifts the heartfelt chorus. New details are discovered with each subsequent listen perhaps it’s the use of the synths or how Lindsey’s raspy voice delivers all the sentiment.

The song that follows captures us immediately through the strong bass line accompanied by an assertive drum kick. “Ben Franklin” embarks on a hard path through heartbreak and rehab making references to how one another can have their similarities. The next two tracks, “Headlock” and “Light Blue” channel a more sincere angelical tone seducing the listener into the hurt and affection behind each song. 

“Forever (Sailing)” offers us a prominent dry beat which is balanced with warm harmonies and silky synths. The lyrics explore the subject of obsession, betrayal and past relationships however the songs leave a reminiscing sensation.

The album “Valentine” ventures through vulnerability, tackling different emotional stages that occurred in the singers love life, it ends up being an introspective healing from Snail Mail.  The second half of the album keeps the intense progressive honesty while it brings loud and bold contrasts filled with rich textures. From a catchy song like “Madonna” to a pure rock guitar lead in “Glory”, Snail Mail introduce futuristic synth sounds, expressing the older rock vibe in from their guitars. The album ends with two distinct tracks, “Automate” which is loud and sneaky, leaning on the percussion and playing around with distortion. On the other hand, “MIA” is a sophisticated song, utilizing a soft string section, concluding the album with a serene and comfortable setting.